Stiff,
a book published in 2003 and written by Mary Roach, explores the many important
uses of cadavers. The goal of her writing is to make it well know that cadavers
are not monsters to be afraid of, but scientific specimens that aid the
betterment of human life. Throughout the book, Roach utilizes a combination of
imagery and analogies in order to help her audience imagine a normally
incomprehensible subject. For example, in the fifth chapter, she states that “The
heads have been put in roasting pans—which are of the disposable aluminum
variety—for the same reason chickens ae put in roasting pans: to catch the
drippings”, “You could be looking at rows of old men reclining in barber chairs
with hot towels on their faces”, and that, contrary to Roach’s original
thought, the stumps are not “cleanly sliced, like the edge of deli ham”. These comparisons
successfully describe the atmosphere of the labs and exactly what someone would
see upon walking into one. Roach’s purpose in doing this was to recreate her
experiences for her readers. This is imperative in a book like Stiff because the majority of people,
especially those reading this book, do not have much experience with dead
bodies. Thus, in comparing such a seemingly unrealistic scenario to everyday
objects, like aluminum roasting pans, barber shops, and deli ham, makes the
setting much more alive and true. Imagery, by definition, is meant to paint a
picture in the readers’ heads, and Roach is additionally effective in using
this device. The everyday items used to compare not only make the scene more
realistic, but make it easier for the audience to picture. Naming tools such as
scalpels and forceps would not have been wise in a book with the purpose of
informing and teaching; therefore, the diction and descriptions used by Roach
in this area successfully appeal to her purpose and audience.
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